Barbican theatre seating plan

Stalls

• 650 capacity
• Rows A-T

The Stalls form an uninterrupted block of seating without a central aisle, accessible through doors at both ends of each row. Rows gently curve at the ends, offering a slight side view of the stage. The Barbican features a modern auditorium with 17 rows, each accommodating up to 49 seats, along with two boxes at the rear and standing room.

Circle

• 350 capacity
• Rows A–B + side seats AA–HH

Positioned directly above the Stalls, the Circle at this venue is predominantly occupied by seats in Row A and B, with seats AA to HH situated on the sides for a partial side view of the stage. Notably, the Circle features no central aisle, and its unobstructed view is preserved as it remains unaffected by the sections above.

Upper circle

• 150 capacity
• Rows A–B + side seats AA–EE

Upper Circle replicates the layout of the Circle but offers an unobstructed view without a Gallery overhang. Organized into two elongated rows, A and B, the seating configuration places seats AA to EE on both sides of the stage, allowing for a side-angle view of the performance. Rows A and B emerge as excellent options for those prioritizing affordability without sacrificing visibility.

Gallery

• 100 capacity
• Rows A–B + side seats AA–BB

Within the Gallery, discover Rows A and B, each featuring six seats on both sides in Rows AA and BB, granting a side view of the stage. Access your seats through doors on either side, as this section features no central aisle. While the Gallery provides a unique perspective, it's important to note that it may occasionally convey a sense of distance from the primary action on the stage.

Value for money seats

• Stalls (Rows P–Q, rear): Still offer good sound and a direct view without major compromise, at a lower price than central seats.
• Circle (Side seats in Rows A–B): Slightly angled but cheaper than central stalls, still providing a wide perspective of the stage.
• Upper circle (Rows A–B, sides): One of the most budget-friendly options without losing too much visibility, though angles are sharper.
• Gallery (Rows A–B): The cheapest seats in the house. Though distant, the steep rake ensures you can see the whole stage, making these great for musicals and large productions.

Best views of the stage

• Stalls (Rows E–K, centre): The prime location for sightlines and acoustics, giving you the most immersive experience and perfect proximity to the performers.
• Circle (Rows A–B, centre): Elevated yet close enough to capture detail and stage-wide perspective, making these excellent all-rounder seats.
• Upper circle (Front Row A, centre): Offers a balanced overhead view at a slightly more affordable rate, with no obstruction from the Gallery above.